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1. #Vengeance essential house synth software#
2. #Vengeance essential house synth professional#
3. #Vengeance essential house synth series#

It's important to check your mixes for potential stereo phasing problems.

One of the best ways to create a coherent, pro-sounding mix is to group similar sounds together on a bus or group channel and apply compression, limiting and/or saturation to the group.īy creating group busses for drums, higher synths and basses, for example, you'll reinforce the sense of an ensemble that we're keen to create. A good way to maximise space without detracting from the sound is to insert a stereo reverb, then apply your widening tool to the reverb rather than the dry signal.

Stereo-widening effects can create a lot of space in the mix, but they can also take away from the weight, punch and direction of individual parts. Sometimes, panning the widened signal can mitigate the side-effects a bit. Excessive stereo widening can unbalance a mix and cause ear fatigue. We've use a lot of stereo-widening tools throughout our tracks, but we've resisted the temptation to whack them up to maximum. If you're worried this might be happening to your track, try firming up the limiting on the master output - this can give you a clue as to whether or not the issue will disappear after the mastering process. It's good to use a variety of reverbs for different effects, but doing this can take away from the sense of cohesion in a mix. When using sidechain compression for ducking and pumping you can also use multiple sidechain busses for extra control (one for ducking, one for pumping), enabling you to pump a bass without it ducking for other sounds, or duck a pad without pumping it. When writing house, we normally keep some gentle but firm limiting running while writing and arranging, then remove it for mixing.īy all means add a limiter to your house track so you can hear its effect while writing, but remove it when mixing. It's generally not a good idea to have lots of limiting, compression or other mastering effects on your master output when mixing, as it'll affect your perception of what the individual channels are doing. Keep the Wet/Dry balance quite dry-biased, though, otherwise the mix might become unbalanced. Try opposing the starting points (left/right) on two otherwise identically set-up panners. To opposite effectĪ good way to generate some movement in the mix is to use autopanners on different but similar channels, such as two pads playing the same notes. If you find yourself regularly using the same channel strip of plug-ins, be sure to save the whole thing out as a channel preset to save you time in future. So, don't feel the need to tweak these for the sake of tweaking. Our last tip is a very important one, but don't forget that simpler, functional plug-ins like saturators, filters, etc, can often be adequately applied much faster by copying. Last but not least, he also occasionally works as a tutor for modern dance production techniques (for instance Roland Synth2Sound Tour, SAE Conference & Exhibition and Frankfurt Musikmesse).It's fine to copy a compressor, limiter or other plug-in from one track to another, but resist the urge to be lazy and make sure you tweak the effect's settings to suit the new material. In addition to his day job, he is also a well-known producer with a long list of remixes and original releases for the most famous labels.

#Vengeance essential house synth series#

Now it is time to rest – the Vengeance Sample Series were up: together with his friend and colleague Manuel Reuter (Cascada) he delivers top-notch dance sounds and so much more to the EDM producers, next to a mastering service, the development of the ROM synthesizer “Nexus”.

#Vengeance essential house synth software#

Starting from there, it’s been impossible to count the amount of work he did on many synthesizers, whether they were hardware or software for well-known companies like Roland, Waldorf, Propellerhead or reFX. This includes a Nexus 3 Expansion Pack – ROM+ Extension 2, which he picked up on Access Music’s website at some point.

#Vengeance essential house synth professional#

His full-fledged professional studio is equipped with all the gear you might want for an impressive sound design. Reaching an early interest in electronic music (C-64, Amiga Series), I finally reached Cubase as a quiet journey. The producer and mastermind behind Vengeance-Sound is Manuel Schleis.